My interest in cinematography was kindled by my childhood fascination with TV—I was always glued to it. My journey into the industry is quite a tale, starting from my days as a musician, moving through music production and sound engineering. The real turning point came when I began working with Monster Music as their sound producer and engineer. That experience ignited my passion for visual storytelling and set me on the path to cinematography.

How did you transition from directing music videos to filmmaking?

Transitioning from directing music videos to filmmaking was driven by my passion to positively change the perception of Nollywood. I have always believed in the immense potential of our industry and felt it was crucial to start somewhere, no matter how big the task. Thanks to God, we are making strides and pushing forward to elevate Nollywood to new heights.

What drew you to working on projects such as ‘God Calling’, ‘Banana Island Ghost’, and ‘Breath of Life’?

What drew me to those projects was the opportunity to tell unique and compelling stories that resonate on a deep level. Each project offered a chance to explore different themes and perspectives, which I believe is crucial for the growth of Nollywood. I am passionate about creating work that challenges conventions and pushes the boundaries of our industry. It is all part of the journey to elevate our storytelling and make meaningful impact.

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